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Color adjustments

Color adjustments remap the values of existing pixels. Different controls change different properties, even when several can make an image look brighter.

Compare exposure and brightness through a shaded still life.

Source
01Source
Linear-light exposure
02Linear-light exposure
Encoded brightness offset
03Encoded brightness offset

sRGB → decode → × 2.00 → encode

sRGB → + 36 → clip

Output values for exposure and encoded offset across the tonal rangeInput channel 0 → 255━━ Exposure · ━━ Offset
Pixels with a channel at whiteExposure: 7380 · Brightness: 3232Black input: 0 / 36

One stop doubles linear light. An encoded offset moves every stored channel by the same amount, including black. Compare the glazed vase, citrus highlights and bottom tone strip: a flat part of either curve loses distinctions. These use the Lab’s exposure rule and its additive brightness model.

Exposure changes first, then encoded brightness. Compare the vase, citrus highlights and black end of the tone strip. Use any control to take over.

What to try
  1. Change Exposure · stops and inspect the citrus, glazed vase and tonal strip.
  2. Change Brightness · channel offset and compare its transfer curve and number of white-clipped pixels.
Open in the Lab ↗

What to look for: Exposure multiplies linear light and keeps black at black. An encoded offset also lifts black. Flat curve segments merge distinct source values.

How it works

Brightness adds an encoded-channel offset, while contrast expands or contracts values around a midpoint. Saturation changes distance from a neutral value. Hue rotation moves colors around a hue coordinate, and color balance shifts channels with weights for shadows, midtones or highlights.

Exposure is measured in stops: one stop doubles linear-light values before they are encoded again. Gamma reshapes midtones nonlinearly. Solarization conditionally inverts values beyond a threshold. These operations are not interchangeable, and clipping at black or white can discard distinctions.

Use it in the Lab

Choose the Color adjustments category for broad corrections and Levels or Curves for a more explicit transfer function. Use live comparison and keep an original layer when exploring large shifts. Alpha is preserved by these color treatments.

Limits & distinctions

These tools operate on the current raster layer. They are not RAW development controls and cannot restore highlight detail already clipped in the source.

Sources & references

Guide updated